SOUNDPROJECT 2025-2026 // Modulated Spaces

Currently - up to today: I am exploring sound as a dynamic and evolving texture, using live modulation of delay and reverb to shape compositions that emerge between rhythm and resonance. What often begins as a single percussive sound or field recording gradually unfolds through layering, modulation and transformation.

Echoes and reverberations stretch and blur the original source, giving rise to immersive sonic spaces that shift over time—sometimes dissolving completely, sometimes expanding into sustained, long-form pieces. While dub and dub techno inform my approach, they function more as departure points than destinations.

I am still in the early stages of building something new, and I’m currently learning and evolving at a rapid pace. The sound I am working towards is still unfolding, and while I don’t yet know where it will take me, I can already imagine that my process and sound will continue to transform in the coming months.

Incorporating two samplers, a drum machine, field recordings, and working with wavetable synthesis are new elements in my creative process. Setting up a system that allows for a flow of creativity and exploration for spontaneous composition has been a key part of my development.

This evolving sound practice extends my broader artistic research into perception, structure, depth, and interference. With a background in printmaking, I draw from similar principles: layering, transparency, and the interplay of rhythm and colour—both optically and sonically.
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