I explore sound as a dynamic, evolving texture, using live modulation of delay and reverb to shape compositions that emerge between rhythm and resonance. What often begins with a single percussive sound or field recording gradually expands through layering, modulation, and transformation.
I am still in the early stages of building something new, learning quickly as the work develops. The sound I am moving toward continues to reveal itself, and although I do not yet know where it will lead, I can already sense that both the process and the sonic language will keep transforming in the months ahead.
The integration of samplers, a sequencer, a drum machine, field recordings, and wavetable synthesis marks a new phase in my creative practice. Developing a system that supports flow, experimentation, and spontaneous composition has become a crucial part of this trajectory.
This sonic practice extends my broader artistic research into perception, structure, depth, and interference. With a background in printmaking, I draw from related principles: layering, transparency, and the interplay of rhythm and colour—both optically and sonically.
I am still in the early stages of building something new, learning quickly as the work develops. The sound I am moving toward continues to reveal itself, and although I do not yet know where it will lead, I can already sense that both the process and the sonic language will keep transforming in the months ahead.
The integration of samplers, a sequencer, a drum machine, field recordings, and wavetable synthesis marks a new phase in my creative practice. Developing a system that supports flow, experimentation, and spontaneous composition has become a crucial part of this trajectory.
This sonic practice extends my broader artistic research into perception, structure, depth, and interference. With a background in printmaking, I draw from related principles: layering, transparency, and the interplay of rhythm and colour—both optically and sonically.