In my work, I explore land-spaces. I investigate the interplay between colour, light, halftone patterns, and perception, creating images that oscillate between abstraction, memory, and active viewing. Starting from recognisable landscapes or biographical photographs, I transform these images through graphic interventions, rhythmic structures, interference, and layered transparencies, opening up a perceptual field in which form, colour, space, and time continuously interact.

I sometimes describe my work as a form of post-photography: a screen-printed post-pop landscape impressionism in which the image is no longer a fixed representation, but a dynamic ecology of vision and perception.